portfolio > perichondrial memory

Lois Epperson-Gale, perichondrial memory III, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2011
kozo paper, pastel, encaustic, birch wood, silk thread, steel frame
7.5" x 7.5" x 2"
2011
Lois Epperson-Gale, perichondrial memory IV, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2011
kozo paper, pastel, encaustic, birch wood, silk thread, steel frame
7.5" x 7.5" x 2"
2011
Lois Epperson-Gale, perichondrial memory V, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2011
kozo paper, pastel, birch wood, encaustic, silk thread, steel frame
7.5" x 7.5" x 2"
2011
Lois Epperson-Gale, perichondrial memory VII, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2011
kozo paper, pastel, birch wood, encaustic, silk thread, steel frame
7.5" x 7.5" x 2"
2011
Lois Epperson-Gale, perichondrial memory VIII, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2009
kozo paper, pastel, encaustic, birch wood, silk thread, steel frame
2009
Lois Epperson-Gale, perichondrial memory IX, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2009
kozo paper, pastel, encaustic, birch wood, steel frame
2009
Lois Epperson-Gale, perichondrial memory X, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2008
kozo paper, pastel, encaustic, birch wood, steel frame
2008
Lois Epperson-Gale, perichondrial memory XI, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2008
kozo paper, pastel, encaustic, birch wood, steel frame
2008
Lois Epperson-Gale, perichondrial memory XII, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2008
kozo paper, pastel, encaustic, birch wood, steel frame
2008
Lois Epperson-Gale, perichondrial memory XIII, kozo paper, pastel, encaustic, birch wood, silk thread, steel frame, 2009
kozo paper, pastel, encaustic, birch wood, steel frame
2009

For this series, perichondrial memory, I used soft pastels to draw on Japanese kozo papers, then coated each layer with encaustic—a wax with resin—adhering the paper to birch wood with heat, manipulating the powdered pigments as they melted and became fluid, so the cellular forms would feel as if they were in a state of transition. Melting multiple layers together created small bubbles—membranes—combining with the skin-like wax to become reminiscent of memory. Fused. Retain. Remain. Stitching the surface with silk thread, the layers became rooted, sutured in place by the completion of a circle, floating inside the weight of steel.